Straight Outta Compton (Surrey) - The Watt's Gallery

Photos from my visit to the Watts Gallery this weekend. Anyone who has even a passing interest in Symbolist or Victorian painters has to pay this place a visit. Watts was hugely popular in his day but is somewhat forgotten now. The Watt's Gallery is helping to right this wrong with their beautiful restoration of the gallery and amazing paintings. The gallery staff were really helpful and friendly. And very easy to get to from London (30 minutes or so from Waterloo station to Guildford, then 10 minutes on the no. 46 bus direct to the gallery). Highly recommended.

(More to follow...)

Workshop at Kennedy's Art Harcourt St. Sat 14th June

There's going to be another oil painting the figure workshop at Kennedy's Art Harcourt St on Saturday the 14th of June. This time we will have a male model for a change. Looking forward to seeing you all there again.


Some of you were asking about the Munsell book that is online for free. You can download it here. Enjoy!

A couple of charcoal figure demos - from a couple of years ago

Done at Attic Studios at figure drawing workshops there in August 2012. 

Michael Lynn Adams' "Zorn palette" mixing exercise

There seems to be some contention about the Zorn palette and whether or not he actually used it. But the so-called Zorn palette is named after the Anders Zorn, that much is true. It's also known as limited palette, but either way it's comprised of four colours: a low-chroma yellow (e.g. yellow ochre, yellow brown), a black - acting as a low-chroma blue, a high-chroma red (e.g. terra rosa, English red, vermillion) and a white. (And as mentioned, it is disputed that Zorn only used these colours.)

Self Portrait by Anders Zorn

(From Wikipedia)

There is a pretty useful colour mixing exercise based on the palette which can be seen here on Michael Lynn Adams' website. He said he developed it from a Richard Schmid colour exercise. This is my attempt at it:

Step 1: draw the 12 x 10 square grid. 

The very top and bottom rows of 12 squares are for various yellow, red and black mixes. The 10 squares on the side are for the same colours mixed with different quantities of white. 

The top row of 12 is specifically for:

1. yellow 
2. 2 parts yellow to 1 part red 
3. 1 part yellow to 1 part red 
4. 1 part yellow to 2 parts red 
5. red 
6. 2 parts red to 1 part black 
7. 1 part red to 1 part black
8. 1 part red to 2 parts black
9. black
10. 2 parts black to 1 part yellow
11. 1 part black to 1 part yellow
12. 1 part black to 2 parts yellow

The very bottom row is for:

1. yellow with a trace of black
2. 2 parts yellow to 1 part red with a trace of black
3. 1 part yellow to 1 part red with a trace of black
4. 1 part yellow to 2 parts red with a trace of black
5. red with a trace of yellow
6. 2 parts red to 1 part black with a trace of yellow
7. 1 part red to 1 part black with a trace of yellow
8. 1 part red to 2 parts black with a trace of yellow
9. black with a trace of red
10. 2 parts black to 1 part yellow with a trace of red
11. 1 part black to 1 part yellow with a trace of red
12. 1 part black to 2 parts yellow with a trace of red

The row down the side gradually adds white to these mixes. 

Row 2 is an 80% mix with 20% white

Row 3 is a 60% mix with 40% white

Row 4 is a 20% mix with 80% white and

Row 5 is 5% mix with 95% white

That is then repeated from the bottom up with the trace mixes.

The colours I used were (from left) Old Holland ivory black, Sennelier Chinese vermillion, Michael Harding yellow ochre and Old Holland titanium white.

Step 2: I considered first painting the first row of colours with no white (the top row) and then work down the whole row, like this:

But in fact it's much easier to mix a pile of a top row colour, paint the top square. Then add the trace and paint the bottom square. Then add the white for the first top square with white (80%). Then add the trace and paint the first bottom square with white and so on, gradually working into the centre:  

The final result: 

It's very difficult to make the ratio of each mix the same and it's clear some are very much darker or lighter than they should be. As Michael Lynn Adams says, keeping your palette very clean is a must. 

Second date added for Kennedy's figure painting workshop

On April the 19th Kennedy's will be holding a second figure-painting workshop. Link here for bookings and contacting the studio.  http://www.kennedyart.com/pgs/index.php/demos-a-wshops/156-saturday-19th-april-painting-the-figure-from-life

April 5th Kennedy's workshop update

Unfortunately the April 5th workshop is now sold out. Apologies to anyone who couldn't book in time for this one.

Contact Kennedy's to put your name for a possible cancellation or alternatively keep an eye out on Kennedy's website or here for future workshops.

Upcoming workshop at Kennedy's Art, Harcourt st.

I will be hosting an oil painting workshop in Kennedy's Art, Harcourt st this coming April the 5th.

http://www.kennedyart.com/pgs/index.php/demos-a-wshops/156-saturday-5th-april-painting-the-figure-from-life

One of the pictures in the link is a charcoal drawing and the other is a monochrome oil painting, but the workshop will be on oil painting the figure i.e. colour. Those were just the pictures that ended up on the website. 

We will be using limited palette (as taught by FAA). Which means a white, a black, a red and an ochre. Those are plenty to describe flesh tones - well, more than enough for me to handle at any rate.  

It's €60 and participants are entitled to a discount on supplies in the shop on the day. Call 01-4751749 to book. Places are limited so early booking is advised. See you there!